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The House

Made slowly, in Sillanwali.

A hand craft carried across a border in memory, kept alive in one small town in Sargodha.

Turned wood, coloured lac

naqshi lacquer work marries two older skills — turning wood on a lathe and working with coloured lac — into a single craft: scratch a design back through the lac and the colours beneath surface as fine rainbow lines.

The craft is passed from ustad to apprentice, hand to hand, without a written manual. The knowledge lives in the wrists.

A raw turned rosewood disc before lacquering
Artisan hands at a traditional khraad lathe in Sillanwali

1947 — carried across a border

At Partition in 1947, artisan families packed what mattered — their tools, their sticks of lac, and the skill in their hands — and crossed into the new Pakistan. Many settled in Sillanwali, a town in the Sargodha district of Punjab.

What could have been lost in the upheaval took root instead. Sillanwali became a centre of Pakistani lacquer woodcraft — today home to around one hundred workshops, still working ustad to apprentice.

The craft's standing was recognised internationally when naqshi work received the UNESCO Seal of Excellence in 2007.

How a rosewood disc becomes an heirloom

Every piece moves through the same four hands-on stages — the reason no two are ever identical.

  1. 01

    Turning

    A block of sheesham is turned on the khraad until it finds its shape — a plate, a box, a bead.

  2. 02

    Layering lac

    Sticks of coloured lac are pressed to the spinning wood. Friction heat melts them on in layers — red, then yellow, then green.

  3. 03

    Scratching

    The artisan scratches the design back through the layers by hand. Each cut reveals a colour beneath, so the pattern reads as rainbow lines.

  4. 04

    Engraving

    Where a piece carries a name, date, or ayat, it is engraved last — in English, Urdu, or Arabic — and confirmed with the family first.

The workshop today

We are one of Sillanwali's workshops, working the same way our craft has for generations — by hand, one piece at a time. What has changed is who the pieces are for: a plate for a nikkah, an ayat for a new home, a box named for a child, a desk set for a company.

A naqshi piece is meant to outlast the giving. Made slowly, in Sillanwali; shipped carefully, to your door anywhere in Pakistan; paid for in cash when it arrives.

A finished naqshi plate revealing rainbow-etched patterns